John Simm, a name synonymous with compelling performances in British television and film, offers a series of insightful glimpses into his thoughts on solitude, career, and the entertainment industry. Known for his roles in культовые shows like Life on Mars and Doctor Who, Simm’s reflections reveal a grounded perspective shaped by experience and a clear sense of self. This collection of quotes provides a unique window into the mind of an actor who navigates fame with refreshing candor and self-awareness.
Embracing Solitude and Personal Space
“I’m good at being on my own,” Simm states, highlighting his comfort with solitude developed from childhood. “As a kid I was always in my room alone, so I have a high threshold for it. If I’m bored, I’ll read. Hanging around doesn’t go well with me.” This introverted tendency suggests a reflective nature, perhaps contributing to the depth and nuance he brings to his roles. This personal space seems crucial for Simm, allowing him to recharge and engage with his craft on his own terms.
Navigating the Haze of Early Career and Family Life
Reflecting on his younger years, John Simm describes the whirlwind of his twenties: “The 90s are hazy. I was a party boy in my 20s and that culminated with Human Traffic. Then I acquired a family, which rather changed things.” This quote encapsulates a significant life transition, from the hedonistic energy of youth, symbolized by the культовый film Human Traffic, to the responsibilities of family life. This shift likely brought a new focus and maturity to his career and personal life.
A Love for Classics and Literary Depth
Simm’s intellectual curiosity extends beyond acting, revealing a deep appreciation for classic literature. “Charles Dickens is great. I love the classics. I recently read The Brothers Karamazov which was very heavy, so I read about another 10 novels alongside it. But, Dickens… I’d love to be in a Dickens adaptation. Nobody’s ever asked. I don’t mind which one.” His admiration for Dickens and his engagement with weighty novels like The Brothers Karamazov showcases a mind that seeks intellectual stimulation and appreciates profound storytelling. His desire to be in a Dickens adaptation underlines his respect for classic narratives and character-driven dramas.
Self-Awareness and Northern Roots
John Simm’s northern background and Manchester upbringing are integral to his identity. “I used to be mouthy. It was all to do with being a northerner and from Manchester, which was suddenly a big deal when I was in my 20s. When I read some of the interviews I did back then, I cringe.” This self-deprecating humor and acknowledgment of past outspokenness reflect a journey of self-discovery and growth. His awareness of how his background shaped his early persona demonstrates a capacity for introspection and personal evolution.
Views on Social Media, Hollywood, and Critics
Simm’s perspectives on various aspects of the industry are equally candid. He surprisingly finds positivity in social media: “Twitter has restored my faith in humanity. I thought I’d hate it, but while there are lots of knobheads, there are even more lovely people. It delights me how witty and friendly most people are.” This unexpected appreciation for Twitter reveals an open-mindedness and a willingness to find the good even in potentially challenging platforms.
However, his ambition doesn’t extend to chasing Hollywood fame: “I’m past going to Hollywood and trying to sell myself. I just can’t be arsed. I remember being promised the moon on a stick after State of Play, but you realise that’s just what they tell you. I don’t think I’m cut out for that world.” This quote highlights his pragmatic approach to fame and career, prioritizing authenticity over manufactured hype. He seems content with his established career in the UK and doesn’t feel the need to pursue global superstardom.
Regarding critics, Simm maintains a detached and humorous stance: “Critics should be to actors what ornithologists are to birds: they can write all they want, but it shouldn’t affect them.” This analogy cleverly illustrates his belief that critical opinions, while existing, shouldn’t unduly influence an actor’s work or self-perception.
Passion for Music and Theatrical Roots
Beyond acting, music remains a vital part of John Simm’s life. “I can’t leave music alone. My gigging days are gone [Simm was in the band Magic Alex in the 90s], but I still play the guitar. I love that on Twitter I can mention a band and they’ll get in touch. I think, “I’m in, I’m in!” I’m a fan.” His continued passion for music, even after his band days, reveals a creative spirit that extends beyond acting. His enthusiasm for connecting with bands on Twitter further emphasizes his down-to-earth nature.
His admiration for playwright Harold Pinter is profound: “Pinter is a hero of mine. I think it’s like Shakespeare – when you get the chance to do it, you do it.” Placing Pinter alongside Shakespeare underscores the high regard Simm has for certain playwrights and the importance he places on performing significant dramatic works.
Anticipating Backlash and The Reality of Location Shoots
Simm displays a keen awareness of audience and critical reception, even predicting potential backlash: “I’ve got a good sense of when a backlash is coming. I knew on Life on Mars that if we just stopped at that number of episodes, like The Prisoner, it would be a classic. They always want more, so they came up with Ashes to Ashes. I knew it would get the backlash and it did. In fact, poor Keeley [Hawes] got it.” This demonstrates his insightful understanding of narrative structure and audience expectations, as well as his empathy for colleagues facing unwarranted criticism.
Finally, Simm addresses the misconception of location filming as glamorous: “Being on location isn’t the same as being on holiday. It makes me angry when people think Mad Dogs [filmed in Mallorca] is just a jolly. I’m away from my family for three months. I haven’t seen my kids for six weeks and we work six days a week, 7am until 8pm. It’s not a fucking holiday, it’s work.” This direct and forceful statement corrects the romanticized view of filming on location, highlighting the demanding work schedule and personal sacrifices involved.
Freedom in Middle Age
Concluding with a reflection on aging, John Simm finds liberation in his forties: “In your 40s you don’t have to pretend to be cool any more. You can wear what you like, listen to what you like, say what you think. You’re just someone’s dad. It’s quite freeing.” This perspective on middle age as a period of freedom and authenticity provides a fitting end to these insightful quotes. Embracing his role as “someone’s dad” and shedding the need to conform to coolness encapsulates a journey of self-acceptance and genuine self-expression.
Through these quotes, John Simm emerges not just as a talented actor, but as an intelligent, grounded, and self-aware individual who approaches his life and career with honesty and a refreshing lack of pretense.
