John Mccutcheon, a name synonymous with contemporary folk music, defies the notion of retirement with his latest album, Field of Stars. At 72, an age when many artists might consider slowing down, McCutcheon demonstrates that his creative wellspring is as deep and potent as ever. This new collection of songs reaffirms his position as a vital voice in American folk, showcasing both his enduring musicality and his insightful storytelling. Like fellow ageless artists such as Bob Dylan and Paul McCartney, John McCutcheon continues to create compelling music that resonates with audiences.
This album, Field of Stars, produced and recorded by John McCutcheon with Bob Dawson, isn’t a radical departure, but rather a rich continuation of his established folk style. Across 15 tracks, McCutcheon, a five-time Grammy nominee, explores themes that are both timeless and timely. He delves into the power of history, the solace of faith, the endurance of love, and the necessity of humor, all while giving voice to stories often overlooked. This is quintessential John McCutcheon: music that is reassuring, educational, and deeply poignant.
One of the standout aspects of Field of Stars is McCutcheon’s ability to craft compelling narratives. “The Hammer,” for instance, is a beautifully rendered baseball song, elevated by a delicate piano melody. While baseball songs can sometimes fall into cliché, McCutcheon avoids this trap, creating a piece that is both accessible and imaginative, reminiscent of classics like Steve Goodman’s “Go, Cubs, Go.” Similarly, “MS St. Louis” showcases his narrative prowess, echoing the style of the late Harry Chapin, tackling weighty, true stories with empathy and grace. The mournful fiddle accompaniment by Stuart Duncan adds a layer of emotional depth to this track.
Throughout the album, John McCutcheon’s vocal delivery is both familiar and fresh. On tracks like “Stubby” and “End of the Day,” his folky tonality evokes comparisons to the late John Stewart, particularly in his ability to weave personal reminiscences and reflections on bygone eras into compelling musical stories. He’s joined by notable guest musicians, including Carrie Newcomer, who co-wrote and sings on the title track “Fields of Stars,” adding a delightful surprise to the album. Bluegrass icon Claire Lynch also lends her vocals to “The Only Ones Dancing,” and Windborne contributes harmonies to “Blessing,” further enriching the album’s sonic landscape.
Image: John McCutcheon performing on stage with his guitar, showcasing his musical talent and passion for folk music.
Tracks like “Tired” and “Peter Norman” further highlight the album’s depth and emotional range. The musicianship on Field of Stars is top-notch, featuring Jon Carroll on piano and organ, JT Brown on bass, Robert Jospe on drums, Pete Kennedy on guitar, Tim O’Brien on mandolin and vocals, Cory Walker on banjo, and Mark Schatz on upright bass. These talented instrumentalists provide a rich and supportive backdrop for McCutcheon’s songwriting and vocals.
In Field of Stars, John McCutcheon once again proves his enduring relevance in the contemporary folk scene. He steps confidently into the role of a modern-day troubadour, carrying the torch passed down from Woody Guthrie and Pete Seeger. Age is simply a number for John McCutcheon; his music remains vibrant, insightful, and deeply connected to the human experience. This album is a testament to his lasting artistry and a welcome addition to his impressive discography.
Highlights: “Fields of Stars,” “The Hammer,” “MS St. Louis,” “Stubby,” “End of the Day,” “Tired,” and “Peter Norman.”
Musicians: Jon Carroll, JT Brown, Robert Jospe, Pete Kennedy, Tim O’Brien, Cory Walker, Mark Schatz, Claire Lynch, and Windborne.
Listen to Field of Stars on [link to music platform – e.g., Spotify, Apple Music]
Purchase the CD: https://www.folkmusic.com/store/p472/Field_of_Stars_-_CD.html
Read the Interview: Interview: John McCutcheon on Building “Together” with Tom Paxton
