John Ferguson’s name is synonymous with the vibrant and engaging world of hymnody, particularly his innovative “hymn festivals.” Throughout his distinguished career, he was widely sought after to curate and lead these unique musical events, captivating congregations and gatherings of musicians alike. From local churches to prestigious national conventions for organists, choral conductors, and church musicians, Ferguson’s hymn festivals became a hallmark of his contribution to sacred music.
His influence extended to esteemed venues such as the Washington National Cathedral, where he designed and led a hymn festival for the American Choral Directors Association national convention in 1995. He repeated this success at the American Guild of Organists national convention in Denver in 1998. Ferguson’s impact transcended national borders, reaching international audiences in Asia, with a notable event in Seoul, Korea in 1996, and Europe, where he led a festival at the historic Nidaros Dom Cathedral in Trondheim, Norway in 1997, as part of the millennium celebration of St. Olaf’s birth. Despite his Lutheran background, Ferguson’s hymn festivals were celebrated for their ecumenical spirit, drawing from the rich tapestry of Christian musical traditions across centuries, styles, and denominations.
Ferguson held the esteemed Elliot and Klara Stockdal Johnson Professorship of Organ and Church Music at St. Olaf College in Northfield, Minnesota. He also served as Cantor to the Student Congregation, further embedding his influence within this institution renowned for its strong choral tradition, initiated by F. Melius Christiansen. Christiansen’s deep appreciation for hymns was evident in his choral works and his contributions to hymnals. Ferguson built upon this foundation, creatively arranging hymns and placing a renewed emphasis on active congregational participation, fostering a dynamic and inclusive approach to hymn singing.
Originally from Cleveland, John Ferguson’s academic achievements included degrees from Oberlin College, Kent State University, and the Eastman School of Music. He earned respect as a dedicated teacher and accomplished performer, but it was his exceptional talent for improvisation and his ability to lead congregational singing that garnered national recognition. Attending a John Ferguson hymn festival was an unforgettable experience. His masterful organ playing, combined with the imaginative use of instrumental and choral textures, enveloped participants, creating a uniquely immersive and uplifting musical journey that resonated deeply and left a lasting impression.
