While the opening chords of Elton John’s Goodbye Yellow Brick Road might initially evoke thoughts of “rubbish” or “garbage” for some, the reality is far richer, especially when considering the iconic track “Funeral for a Friend/Love Lies Bleeding.” This powerful medley isn’t just an album opener; it’s a gateway to a world of personal memories and musical appreciation, as one former dustman discovered in the summer of 1974.
For many, the idea of working as a dustman, or refuse collector, might not seem glamorous. Back in the 70s, before the convenience of wheelie bins, it was a physically demanding job. Imagine navigating through residential areas, manually lifting heavy iron dustbins from the back of houses, hauling them to the truck, emptying them, and returning them – all in a day’s work. However, for a young dustman in Egham District Council, there were unexpected perks, particularly when his route included the prestigious Wentworth estate.
Among the grand properties of Wentworth, one address stood out: Elton John’s residence. Emptying Elton’s dustbins became an unlikely weekly highlight. The routine was always the same: approach the gates, announce “dustmen” via the buzzer, and watch as the automatic gates majestically swung open, granting access to the driveway leading to the bins. Despite the anticipation, the dustman never actually saw Elton John himself, adding to the mystique of the experience.
Years later, the concept of celebrity trash became a curious cultural phenomenon, even inspiring coffee-table books. But for this particular dustman, the connection to Elton’s rubbish was more personal and intertwined with music. Introduced to Goodbye Yellow Brick Road by his girlfriend, a dedicated Elton fan, he sought to impress her in a rather unconventional way. Souvenirs pilfered from Elton’s bins became quirky gifts, a testament to youthful infatuation and a unique summer job. The relationship may not have lasted, but a deeper connection with Elton John’s music was forged.
“Funeral for a Friend/Love Lies Bleeding” became the pivotal track that truly hooked him. This musical journey, taken from what is widely considered Elton John’s magnum opus album, is nothing short of magnificent. The opening instrumental, “Funeral for a Friend,” paints a vivid soundscape. Swirling wind effects, haunting chimes, and dramatic synthesizer chords create a theatrical, almost cinematic atmosphere, sending chills down the spine. This first half, “Funeral for a Friend,” is said to be Elton’s musical interpretation of what he envisioned for his own funeral – an ambitious, almost classical piece showcasing his piano prowess and the band’s musical depth. It then seamlessly transitions, through Davey Johnstone’s electrifying guitar riffs, into the high-energy rock anthem “Love Lies Bleeding.”
Experiencing this musical transformation live is an unforgettable spectacle, consistently proving to be a highlight of any Elton John concert. It remains a testament to the enduring power and brilliance of “Funeral for a Friend/Love Lies Bleeding,” a track that transcends its album opening status to become a cornerstone of Elton John’s legendary repertoire.
Now, if you’ll excuse me, it’s time to take out the bins.
