“Don’t Let the Sun Go Down on Me” is more than just an Elton John classic; it’s a song that has resonated across generations, achieving hit status in two distinct eras. Originally released in 1974, it became a concert staple and a fan favorite. However, it was the 1991 live duet with George Michael that catapulted the song to new heights, cementing its place as a timeless anthem. This enduring appeal speaks to the song’s powerful melody, heartfelt lyrics penned by Bernie Taupin, and Elton John’s iconic performance.
The genesis of “Don’t Let the Sun Go Down on Me” dates back to the Caribou album sessions in early 1974 in Colorado. Elton John, along with Taupin and producer Gus Dudgeon, initially envisioned a grand, Phil Spector-esque production, drawing inspiration from the Beach Boys’ layered sound, reminiscent of “Let’s Go Away For A While,” and the Righteous Brothers’ emotional depth found in “You’ve Lost That Lovin’ Feeling.” Despite this clear vision, the recording process wasn’t smooth sailing. Elton struggled to capture a lead vocal performance that met his standards, leading to considerable frustration.
In a 1993 interview, Dudgeon recounted his immediate positive reaction upon first hearing Elton play the song. Drummer Nigel Olsson shared this enthusiasm, famously declaring it a number one hit upon hearing it from another studio room. Despite this early acclaim from his inner circle, Elton nearly shelved the track entirely. Discouraged by his vocal takes, he suggested Dudgeon give the song to Engelbert Humperdinck or Lulu, believing it might be better suited for another artist.
Fortunately, Dudgeon persevered, recognizing the song’s inherent potential. He built upon the Spector and Beach Boys foundation, bringing in Carl Wilson and Bruce Johnston of the Beach Boys to contribute backing vocals, with Johnston also co-arranging these vocal harmonies. Toni Tennille, pre-Captain & Tennille fame, also lent her voice to the background vocals, with Daryl Dragon assisting in the vocal arrangement. Adding further sonic texture, Dudgeon enlisted Del Newman for a horn arrangement, performed by the renowned Tower of Power horn section, enriching not just this track but other songs on Caribou. Interestingly, Dudgeon resisted any temptation to correct or soften Elton’s distinct pronunciation of “discard” in the second verse, particularly after Toni Tennille expressed her fondness for his uniquely Americanized “dis-cord” delivery.
Released as the lead single from Caribou in May 1974 in the UK and June in the US, “Don’t Let the Sun Go Down on Me” became a significant hit, reaching #2 on the US Billboard Hot 100 and #16 in the UK. The song’s initial success was a testament to its inherent quality, even if it didn’t immediately reach the chart summit in both regions. It also earned Elton a Grammy nomination for Best Pop Vocal Performance – Male, acknowledging his powerful and emotive singing.
However, it was the unexpected collaboration with George Michael in 1991 that reignited the song’s popularity and propelled it to the coveted #1 spot. Their live performance, captured and released as a single, introduced “Don’t Let the Sun Go Down on Me” to a new generation while reminding older fans of its timeless appeal. This version, featured on various editions of Elton John’s Diamonds compilation, stands as a powerful testament to the song’s ability to transcend time and connect with audiences across different eras. “Don’t Let the Sun Go Down on Me” is not just a song; it’s a musical journey, marked by initial challenges, collaborative brilliance, and enduring resonance.
