It’s genuinely difficult not to be captivated from the opening scene of El Dorado. This isn’t just another Western; it’s a masterclass in filmmaking, boasting an ensemble cast delivering top-tier performances under the assured direction of Howard Hawks. Hawks, a legend in Hollywood, expertly crafts this narrative, providing each actor ample space to showcase their talent and contribute to the film’s undeniable charm.
At the heart of El Dorado is John Wayne, embodying the quintessential hired gun, Cole Thornton. He rides into the tense landscape to aid an old friend, Sheriff J.P. Harrah, played with remarkable depth by Robert Mitchum. Mitchum’s portrayal of a lawman battling his inner demons through alcoholism is both poignant and powerful. Wayne isn’t alone in his endeavor; he’s joined by a spirited young gunslinger, Alan Bourdillion Traherne (James Caan), whose weapon of choice is a formidable scatter-gun, and the seasoned wisdom of Deputy Sheriff Bull Harris (Arthur Hunnicutt), a grizzled Indian fighter. Together, this unlikely quartet stands against the menacing Bart Jason (Ed Asner), a ruthless landowner, and his cold-blooded hired gun, Nelse McLeod (Christopher George), along with a posse of other trigger-happy antagonists eager for conflict.
The MacDonald family, neighboring landowners, find themselves under duress from Jason and his cronies, and it’s here that Wayne and his companions step in, choosing to side with the besieged family. This sets the stage for escalating tensions and explosive confrontations in the dusty town of El Dorado, leading to an all-out battle for justice and survival.
El Dorado distinguishes itself with its crisp pacing and sharp, intelligent writing. The screenplay allows for character development amidst the action, and the dialogue is as engaging as the gunfights. Even actors like James Caan and Ed Asner, who might seem unconventional choices for a classic Western, seamlessly integrate into the genre, delivering compelling and convincing performances. John Wayne, as always, is magnetic on screen. His mere presence commands attention, and his delivery, particularly the way he drawls “Mississippi” when addressing Caan’s character, becomes a memorable quirk. Robert Mitchum, however, undertakes the more complex role, portraying a sheriff wrestling with his vulnerabilities, a role reportedly coveted by Wayne himself, highlighting its dramatic weight. The central challenge for the heroes becomes not just facing external threats but also helping Sheriff Harrah regain his sobriety and the respect of the town he is sworn to protect. Arthur Hunnicutt, as the dependable deputy, steals numerous scenes with witty lines and proves invaluable when the stakes are raised. Michele Carey also leaves a lasting impression as one of the MacDonald women, a striking and resilient character determined to fight back against Jason’s tyranny.
Beyond the thrilling gunfights that are expertly staged and choreographed, El Dorado offers moments of genuine camaraderie and warmth between the lead actors. There are scenes where the chemistry between Wayne, Mitchum, and Caan is palpable, suggesting a genuine enjoyment in their collaboration. The film also manages to introduce elements that feel remarkably fresh, even within the well-trodden Western landscape. A shootout punctuated by the resonant clang of church bells is a particularly inventive and memorable sequence. Furthermore, Caan’s effective use of a shotgun to dispatch adversaries adds a unique and dynamic element to the action, an often-underutilized weapon in classic Westerns. While a brief, arguably dated, impersonation by Caan might raise eyebrows today, it’s a fleeting moment within a film that otherwise prioritizes engaging storytelling and character-driven action.
For enthusiasts of the Western genre, El Dorado is not just recommended—it’s essential viewing. Even those who are less familiar with or typically drawn to Westerns may find themselves thoroughly entertained and impressed by El Dorado’s compelling narrative, stellar performances, and masterful direction. It’s a testament to the enduring appeal of classic Hollywood filmmaking.
9 out of 10 stars.
The Hound.
