John Mayer took to the stage at Rocket Mortgage FieldHouse in Cleveland on March 25th, delivering a solo performance that surpassed all expectations. For those who missed this show, it’s truly regrettable, as Mayer showcased a level of artistry and connection with the audience that was simply captivating. Having witnessed Mayer across various phases of his career – from his early days to his Montana-era style – this stripped-down, acoustic-centric concert, featuring a relaxed Mayer in jeans and a t-shirt, stands out as his most compelling Northeast Ohio performance to date.
John Mayer performing solo at Rocket Mortgage FieldHouse in Cleveland – Photo by Judie Vegh
Mayer exuded an unprecedented level of ease, confidence, and playful energy throughout the night. His stage presence was imbued with a contagious tranquility, a quality many concert-goers surely wished they could take home. The concept behind this solo tour, as Mayer articulated in his announcement, stems from a return to his roots – a single guitar and microphone, echoing the beginnings of his career over two decades ago. This tour feels like a statement, perhaps a prelude to a new album, delivered with pure musicality and minimal fuss. Alternatively, the solo format might be a pragmatic choice, simplifying logistics and mitigating potential tour disruptions related to band members and health protocols, a challenge Mayer experienced during his “Sob Rock” tour when his drummer tested positive just before a Madison Square Garden show. Fortunately, Questlove stepped in on short notice, saving that particular show. This solo tour concludes in Los Angeles in mid-April, after which Mayer will rejoin Dead & Co. for their farewell tour in May, a collaboration that has garnered significant acclaim over the past decade.
The evening commenced with an opening set by Joy Oladokum, an artist whose first name perfectly encapsulates her stage presence. Oladokum charmed the Cleveland audience not only with her exceptional musical talent but also with her humor and genuine warmth. She connected with the crowd through witty banter, including self-deprecating jokes and anecdotes. Oladokum also shared poignant personal stories about her experiences as a Black queer woman from a small town, forging a strong connection with the audience. By the end of her set, the heartfelt applause and enthusiastic reception visibly moved Oladokum, bringing her to tears.
While some seasoned John Mayer Concert attendees are accustomed to a gradual warm-up period in his performances, this show was different from the outset. Mayer confidently walked onto the stage and immediately launched into “Gravity.” Following the song, he shared with the packed arena that it was the first time he had ever opened a show with that particular hit, a claim readily accepted by the enthusiastic crowd. This concert cultivated an atmosphere of intimacy, making a large venue feel akin to a gathering of friends in a living room. Mayer frequently engaged the audience with personal stories and anecdotes, drawing back the curtain on his journey as an artist. Adding a nostalgic touch, he incorporated early 2000s video clips showcasing a younger, baby-faced Mayer promoting his initial work, creating a charming contrast between his youthful beginnings and his current, self-assured stage persona.
John Mayer playing electric guitar at his Cleveland concert – Photo by Judie Vegh
This tour is undeniably a treat for dedicated fans. Throughout the concert, Mayer indulged the audience with beloved tracks, including some rarely performed live. He delivered fan favorites like “Your Body is a Wonderland,” his rendition of Beyoncé’s “XO,” and the deep cut “Walt Grace’s Submarine Test, January 1967.” Mayer also diversified the performance by transitioning to electric guitar for certain songs and showcasing his piano skills, offering a unique, slowed-down piano version of “New Light.” His harmonica playing was, of course, also featured prominently. One of the most electrifying moments of the night was Mayer’s powerful acoustic performance of “Edge of Desire,” intensified by dramatic strobing lights, sending the crowd into raptures. He concluded the main set with “Stop This Train,” expressing gratitude to the audience for granting him the freedom to explore his musical repertoire – a setlist that seemed perfectly aligned with the audience’s desires.
It’s worth noting that a persistent narrative surrounding Mayer often overshadows his musical achievements – the focus on his public persona. Mayer himself seems acutely aware of this dynamic. In a SiriusXM interview with Andy Cohen, he lightheartedly referred to himself as “America’s ex-boyfriend” and “America’s ‘I can’t.’” This awareness is subtly reflected in his newer song “Drifting,” which includes a lyric about putting on “the jacket on to play the part of bad boy John.” Ultimately, the constant media attention on his past relationships detracts from his undeniable talent and musicianship, which were on full display at this Cleveland concert. Those in attendance witnessed a masterclass in solo performance, reaffirming John Mayer’s status as a phenomenal musician.
