John Anthony Bailey might not be a name that immediately rings a bell for most television viewers, but for fans of classic sitcoms, particularly Happy Days, he holds a unique place in television history. Bailey was the first African American actor to appear on the popular ABC sitcom, playing the role of “Stix,” the drummer in Richie Cunningham’s band. Although his appearance was brief, spanning just two episodes in 1975, his story is one of diverse talents and unexpected turns.
From Stage to Screen: John Bailey’s Early Acting Career
Born on June 4, 1947, in Cleveland, Ohio, John Anthony Bailey’s journey took him to San Francisco, California, in the early 1970s, where he immersed himself in the vibrant arts scene. He honed his acting skills at Merritt College in Oakland and became a prominent figure in numerous stage productions. His theatrical credits included performances in notable plays such as J. E. Franklin’s Black Girl and The Black Terror with the Black Repertory West. Bailey also collaborated with The Pitschel Players, an improvisational theatre group, and other respected San Francisco Bay Area theatre companies, showcasing his versatility and dedication to the craft. Adding to his diverse early career, Bailey also appeared in the Sun Ra film Space Is the Place, further demonstrating his commitment to varied artistic expressions.
John Anthony Bailey as Cletus alongside John Amos as James Evans in Good Times
Bailey’s talents extended to television and film. In 1972, he made an appearance on the iconic series M*A*S*H during its first season. In 1975, the same year as his Happy Days role, he portrayed Cletus, Florida Evans’ cousin on Good Times. In this role, Cletus was depicted as being on the run from the police, adding a dramatic element to the family sitcom. He also featured in the comedy film The Kentucky Fried Movie in 1977. However, for many, John Anthony Bailey is perhaps best remembered for his role as C.C. McNamara in Wonderbug, a children’s television program created by Sid and Marty Krofft. Wonderbug was a segment within The Krofft Super Show for its first two seasons (1976-1978). This role marked what would be Bailey’s final traditional acting venture.
The Shift to “Jack Baker” and Adult Film
In a significant career shift during the 1980s, John Anthony Bailey transitioned into the world of adult entertainment. It was during this period that he adopted the pseudonym “Jack Baker.” His filmography in this new industry is extensive, beginning with Let Me Tell Ya ’bout White Chicks in 1984. He went on to appear in numerous adult films, including well-known titles such as New Wave Hookers, The Devil in Miss Jones, A New Beginning, and The Devil in Miss Jones 4: The Final Outrage.
Interestingly, Bailey’s roles within the adult film industry evolved over time. Initially, he participated in explicit sex scenes. However, around the time of the “Miss Jones” series of films, he largely moved away from hardcore on-screen sexual performances. He became recognized as a “non-sex” actor within the industry, often taking on more comedic roles, particularly in films like The Dark Brothers. Furthermore, John Anthony Bailey began to incorporate satirical elements into his performances, often playing with and subverting racial stereotypes, adding a layer of complexity to his work in adult films. According to the Internet Adult Film Database, John Bailey amassed over 140 film credits in the adult entertainment industry and is credited with producing one film.
Remembering John Anthony Bailey: Legacy and Remembrance
John Anthony Bailey passed away in 1994 at the age of 47 due to bladder cancer in Los Angeles, California. He was survived by his brothers, Ted and Tom, and was laid to rest in The Los Angeles County Cemetery. Some records suggest he had a daughter named Alida.
Looking back at early images of John Anthony Bailey alongside Ron Howard and Henry Winkler from Happy Days, one might have imagined a trajectory of mainstream success for all three young actors. While Howard and Winkler achieved considerable fame, Bailey’s path diverged dramatically. The reasons behind his shift from traditional acting to adult films remain unclear. Whether it was due to a lack of opportunities in mainstream acting or a conscious choice, the transition is a notable part of his life story.
Insights into John Anthony Bailey’s personal life and motivations can be gleaned from a comment reportedly written by his daughter, Alida, on a memorial page dedicated to him. In her poignant words, Alida addressed the complexities of her father’s life:
“BeatnikBettie said… He wasn’t a child during his stint on happy days, Wonderbug, Good-Times ect. He was my father. It seems that his fall from grace was due to his love of alcohol which made him a bit unbearable to deal with. I was young and loved him enough to just assume he was being the same silly daddy he always was. He desired not much more that simply being remembered so I do what I can to keep that flame alive. He was a colourful and loving father and I am very blessed to have had him as such. I really thinks “Sticks” Downey was the real him. looked great and funny as heck..I’m proud of everything he did but Sticks is my favourite. Anyhow, Thank You for remembering John”.
Alida’s reflection provides a personal and heartfelt perspective on John Anthony Bailey’s life. Ultimately, as Alida emphasizes, he was a father, a multifaceted individual whose life journey took an unconventional route. Remembering John Anthony Bailey, both for his brief but historic appearance on Happy Days and his subsequent, less conventional career path, offers a more complete picture of a man who, in his daughter’s words, simply desired to be remembered.
