“Don’t Let The Sun Go Down On Me” is more than just an Elton John classic; it’s a song that has resonated across generations. Originally released in 1974, this powerful ballad became a signature tune for Elton, reaching new heights of fame nearly two decades later. This is the story of how “Don’t Let The Sun Go Down On Me” became an enduring anthem.
The Rocky Beginnings in Caribou Ranch
The journey of “Don’t Let The Sun Go Down On Me” began in the snowy landscapes of Colorado during the Caribou album sessions in January 1974. Elton John and Bernie Taupin, along with producer Gus Dudgeon, envisioned a grand sound for the track, aiming for a blend of Beach Boys harmonies and Phil Spector’s iconic “Wall of Sound.” Think of the sonic textures of The Beach Boys’ “Let’s Go Away For A While” or the Righteous Brothers’ emotional depth in “You’ve Lost That Lovin’ Feeling”—that was the initial ambition for “Don’t Let The Sun Go Down On Me.”
However, the recording process wasn’t smooth sailing. Elton struggled to deliver a lead vocal performance that met his own high standards. Despite numerous attempts, frustration mounted. In a moment of creative despair, Elton considered abandoning the song altogether for Caribou. He even jokingly suggested giving it away to singers like Engelbert Humperdinck or Lulu, believing it might be better suited for another artist.
Gus Dudgeon’s Vision and Star-Studded Backing
Thankfully, producer Gus Dudgeon recognized the immense potential of “Don’t Let The Sun Go Down On Me” and refused to let it be shelved. Dudgeon was captivated by the song from the moment Elton first played it for him, describing it as a song that gave him “chills.” Drummer Nigel Olsson shared this immediate enthusiasm, predicting it would be a number one hit upon hearing it being written in the studio.
Instead of giving up, Gus Dudgeon doubled down on his original vision, enriching the song’s arrangement. He brought in Carl Wilson and Bruce Johnston of The Beach Boys to contribute backing vocals, with Johnston also co-arranging these vocal harmonies. Toni Tennille, later famous as one half of Captain & Tennille, also added her voice to the background vocals, with her husband Daryl Dragon assisting with the vocal arrangement. The horn section from Tower of Power, arranged by Del Newman, further amplified the song’s grandeur, contributing to the rich sonic tapestry of Caribou.
An interesting anecdote from the recording sessions involves Elton’s unique pronunciation of “discard” as “dis-cord.” While some might have been tempted to “fix” it, Toni Tennille reportedly loved this quirky pronunciation. Dudgeon, respecting artistic individuality, decided to leave it as it was, adding a distinctive touch to Elton’s vocal performance.
From 1974 to 1991: The Song’s Resurgence
“Don’t Let The Sun Go Down On Me” was initially released in 1974 as the lead single from Caribou. It achieved solid chart success, reaching #2 in the US Billboard charts and #16 in the UK. While already a well-loved song and a concert staple for Elton John, it was in 1991 that “Don’t Let The Sun Go Down On Me” reached its zenith.
During a George Michael concert, Elton joined him on stage for a live duet of “Don’t Let The Sun Go Down On Me.” This electrifying performance revitalized the song, introducing it to a new generation and reminding older fans of its timeless appeal. Released as a live single, this version soared to #1 in both the UK and the US, finally fulfilling Nigel Olsson’s prediction from years earlier. The song also earned Elton a Grammy nomination for Best Pop Vocal Performance – Male, cementing its place as a truly iconic track in his vast catalog.
In conclusion, “Don’t Let The Sun Go Down On Me” is a testament to the power of collaboration, persistence, and a great song’s ability to transcend time. From its challenging birth in the Colorado mountains to its global chart-topping revival, this Elton John classic continues to shine brightly.
